Engadget's Games of the Year 2024

This year may not have been as jam packed as 2023 was for gaming, but there were still plenty of amazing new releases. Whether you love a good indie or a big-budget production, this year had you covered. All you needed to do was look a bit deeper than you might have in 2023.

Animal Well

The core of Animal Well isn’t that structurally complicated: It’s a lock-and-key Metroidvania. You go to places to unlock other places and abilities. There are puzzle bits. Platforming bits. Bosses. A sense of progression. Beating the core “story” opens up a couple layers of admirably elaborate and increasingly meta secrets, but let’s be real, most people interested in those are just going to look up the answers online.

And yet, you play it, and you can’t help but think there isn’t much like it nowadays. Why? It’s not just the lo-fi aesthetic. It’s the fact that you never learn what your little blob guy is. It’s giving you a map to mark up yourself instead of providing any instructions. It’s accidentally realizing the disc you’ve held onto for the last three hours isn’t just for throwing. It’s the big monkey that flings rocks at you, just because. It’s the way each screen is a static shot, the way the camera centers the world instead of the player. It’s the eternal wonder and pleasure of uncovering what lies in wait in the dark, behind us, under our feet, outside of our little wells. And then having no clue what it actually means. That’s real stuff.

Animal Well is that rare thing: a modern video game that trusts you to figure it out and has enough grace to let you stumble in the shadows. I bet the ending will leave you slack-jawed.

— Jeff Dunn, Senior Reporter

Astro Bot

Astro Bot is a paean to the three-decade history of PlayStation. It shines a spotlight on every crevice of the brand's timeline, turning both mascots and long-forgotten characters from Sony's archives into adorable bots that you collect along your journey.

More importantly, though, Astro Bot stands squarely in the pantheon of great PlayStation games in its own right. It's an exquisitely designed platformer that's bursting with personality, wit and gorgeous visuals. Team Asobi packed its ultra-charming game with clever ideas and mechanics to keep you on your toes. It even feels great thanks to smart use of the DualSense controller's haptic feedback.

Video games aren’t always supposed to be fun. But Astro Bot wrings pure joy out of every single moment — at least when it’s not kicking your ass in the tough bonus levels.

— Kris Holt, Contributing Reporter

Batman: Arkham Shadow

I never get sick of playing the Batman Arkham games. It doesn’t matter how many times I’ve solved all the Riddler’s puzzles or foiled The Joker’s plans. Batman: Arkham Shadow does a superb job of replicating all the things that make the original Batman games fun, like using gadgets to rack up combos in hand-to-hand combat and swooping out of the darkness to pick off armed henchmen. The game’s most impressive feature, however, isn’t the fighting, Batarang-ing or the satisfying feeling you get when you make a Tyger guard’s leg bend in the other direction. It’s the story.

Batman: Arkham Shadow goes deep into the legend of Batman and its Rogues Gallery of thematic villains. It unpacks Bruce Wayne’s story of perpetual pain and need for emotional redemption just as well as any of the other games and even some of the big-screen adaptations. Batman: Arkham Shadow shows that VR games have a lot of potential to be more than just mindless shooting galleries and boxing simulators.

— Danny Gallagher, Contributing Reporter

Balatro

Of all the games you see on this list, not one was as universally loved as Balatro. Nearly every member of the Engadget team wanted to write about the game. So instead of limiting ourselves to just one blurb, we wrote an entire ode to Balatro.

Crow Country

When I first heard about Crow Country, a 2024 release that was heavily influenced by PS1 survival horror games, I was really intrigued but also a bit worried that it’d be little more than a nostalgia grab. But once I got to playing it, I totally fell in love, and found it to be a unique experience even with all the loving nods to its inspirations.

Crow Country follows Mara Forest, a somewhat shady protagonist, as she explores an abandoned amusement park in search of its missing owner, Edward Crow. There are constant hints to a terrible event that led to the park’s shutdown, and strange skinless monsters are all over the place. In typical survival horror form, you have to manage your resources like ammo and health kits, and you’ll encounter a bunch of puzzles that you’ll need to solve in order to progress. I played Crow Country before the introduction of Hard mode, and found it to be spooky and engaging — but, to my surprise, also kind of cozy, which I really liked. But there’s a game mode for everyone. If you want a more riveting experience, go for Hard mode. If you don’t want to face any enemies, there’s Exploration mode. Survival, the “normal” mode, falls in between those two.

Crow Country is a great game with some light horror and a story that was fun to piece together along the way. It’s perfect if you want to play a horror game that has a creepy atmosphere but won’t have your heart in your throat the entire time.

— Cheyenne MacDonald, Weekend Editor

Dragon Age: The Veilguard

Dragon Age: The Veilguard wastes no time showing off the full glory of its graphical prowess and epic storytelling. Once you’ve spent some time in its (excellent) character creator, it’s only a few minutes until you’re fighting to stop the end of the world. Solas, the previous game’s surprise villain, is trying to tear apart the boundary between the spirit and human world. And in the process, his magical ceremony fills the screen with a glorious array of neon lights, color and shadows. If you’ve got a modern GPU, you’re in for a ray tracing workout.

I’m a gamer of simple pleasures, and I’ll admit, that bombastic opening sequence alone was enough to make me fall for Dragon Age: The Veilguard. What kept me playing, though, was BioWare’s classic formula of intriguing characters and sharp storytelling. I’ll forgive the many missteps of Mass Effect Andromeda, Veilguard’s crew of ragtag heroes make it clear BioWare still has its narrative.

What’s truly surprising, though, is that Dragon Age: The Veilguard is also a decent action RPG, with fast-paced and challenging combat that feels more reminiscent of the recent God of War games than anything from Dragon Age proper. There’s a rich skill tree to follow, and you can always re-spec without penalty.

For a game that could take a hundred hours to truly finish, Veilguard still manages to feel fresh and exciting every time I sit down to play. So really, I don’t mind if it doesn’t hit as hard as previous entries, or if it doesn’t give you as many consequential choices as Baldur’s Gate 3. Sometimes it just feels good to hang out with your fantasy buds and crack a few demon skulls.

— Devinda Hardawar, Senior Editor

Final Fantasy VII Rebirth

The second part of the anticipated remake of 1997’s Final Fantasy VII uses the power of the PlayStation 5 to create a more significant (if not entirely open) world. (It’s also one of the best games to showcase what the PS5 Pro is capable of, offering smoother framerates and crisper textures and detail.) It’s a bigger, better, game than Remake.

Final Fantasy VII Rebirth expands Remake's often constricted alleys and buildings into expansive plains, mountain hikes, and Mythril caverns. What’s interesting about this middle chapter is that the ending of Remake seemingly cut ties with the story we all knew from the original. Despite that, Cloud, Aerith and the rest of the motley crew tour most of the same towns and destinations of the original game. That feeling of nostalgia is paired with a modern, further refined action RPG battle system, with new synergy attacks, materia and summon spells. It’s all a little convoluted, but also meant I got to lean into my favorite characters and their play styles. (No one likes Cait Sith.)

It’s a rolling adventure that folds in extra character and story detail. While exploration in this middle chapter isn’t as expansive as I might have liked, the themed areas are all different from each other, packed with their own battle and exploration themes. I just love the soundtrack of Rebirth – I love it so much that it made it into my most-played albums of 2024.

— Mat Smith, UK Bureau Chief

Indiana Jones and the Great Circle

When I first learned an Indiana Jones game was in the works, it seemed instantly superfluous. What’s the point when the Tomb Raider and Uncharted games have spent decades translating Indy’s pulpy action into the world of video games? I should have known better than to doubt MachineGames, the developers behind the recent (and excellent) Wolfenstein games. If anything, Indiana Jones and the Great Circle has more in common with Dishonored and Hitman than the bombastic set pieces that have plagued Uncharted’s Nathan Drake. It’s a first-person game, for one, and it focuses more on stealth and problem-solving than mowing down dozens of baddies.

The game begins with a stunning recreation of the opening scene from Raiders of the Lost Ark, a sequence that had me continually dropping my jaw. Many shots are directly mirrored from the original film, the Indy model looks surprisingly life-like, and perhaps the biggest shock of all, voice actor Troy Baker delivers a solid interpretation of a young Harrison Ford. Honestly, his Indiana Jones sounds more like the character I remember than Ford does in the recent (and genuinely great) Dial of Destiny.

While you’re equipped with a gun early on, most of your time is spent investigating large areas like the Vatican, sneaking around restricted areas and punching fascists in the face. You’ll also encounter a few puzzles that pose just enough of a challenge to be satisfying, without being overly annoying.

Five hours into the game, I realized I hadn’t yet fired my gun. And it would take several more hours before that was actually necessary. I can’t think of many other action franchises that practiced such restraint.

MachineGames didn’t just make a good Indiana Jones game — it crafted one of the best Indiana Jones experiences ever made. I’ll take The Great Circle over Temple of Doom any day. It’s so good, it belongs in a museum.

— D.H.

Infinity Nikki

From the hours we spend transmogging items or building gear sets for max stats, fashion has always been low-key essential in video games. So it's about damn time that someone decided to take the plunge, accept that style is everything and put it at the heart of an extremely charming game. Infinity Nikki is the most time I have ever spent in a game's photo mode. How could I not? My in-game wardrobe has been filling up with pieces all over the style spectrum – from the ultimate cozy loungewear to absurdly frivolous pastel confections – and I love them all. Dressing up in fabulous outfits is a big part of Infinity Nikki's immaculate vibes, but there's a whole lot of game here that has wisely taken its design cues from other very good titles.

The influence of Genshin Impact is clear in the approach to gacha systems. The open-world exploration and side questing feel reminiscent of Breath of the Wild and Tears of the Kingdom. The Whimstar mechanics are right out of any 3D Mario. But every idea has been toned down so there's no stress and very little challenge. That sounds like it should be boring. It's not. Being in Miraland is a complete joy.

— Anna Washenko, Contributing Reporter

INDIKA

I haven’t stopped thinking about INDIKA since I played it in May. It’s not a constant train of thought or anything, but memories of the game float through my consciousness fairly often and I welcome them each time — funny, heartwrenching and all the emotions in between. And yet, INDIKA is not a game I freely recommend to every person. It’s a satirical and surreal tale about the devil living inside a nun’s head, and while it has laugh-out-loud dialogue and cute buddy-cop moments, it’s also laced with scenes of sexual violence. No matter how delicately and powerfully these scenes are handled, they’re still heavy.

But, if you’re up for it, INDIKA is an utterly unique third-person adventure that deftly balances levity and agony. It offers a flurry of whimsical absurdity, religious criticism and raw human suffering, always with a wink and a nod. INDIKA thrives in the messy area between pleasure and discomfort, and it’s worth a play for anyone seeking something mature and original.

— Jessica Conditt, Senior Reporter

Lorelei and the Laser Eyes

Lorelei and the Laser Eyes is composed of contradictions. It’s a distillation of everything that makes a puzzle game tick, and it’s also a complete subversion of the genre. It’s heartwarming but eerie, mysterious yet satisfying, chaotic and utterly logical. It’s modern, vintage and futuristic all at once.

In Lorelei, players are stranded at the gates of an otherworldly hotel, and the only thing to do is investigate the creativity and tragedy that’s touched its grounds over the decades. The hotel is vast and dotted with secrets, and each of its rooms houses at least one mystery. There are more than 150 puzzles in the game — memorization tests, logic riddles, perspective tricks, math problems, art projects, lunar phases, astrological clocks and mazes — and the solution in one room often unlocks secrets in other areas. It’s a nonlinear experience, though it feels like everything in the hotel is deeply connected. Even you.

Lorelei and the Laser Eyes is for fans of puzzles, narrative twists and David Lynch — but really, it’s for anyone who likes rad new video games. This is a game like no other, and it’s proof that innovation is alive and well in the industry, especially among indie developers.

— J.C.

Metaphor: ReFantazio

Metaphor: ReFantazio improves on the Atlus JRPG formula that I’ve loved across various Shin Megami Tensei and Persona games in every way. Perhaps the game’s greatest triumph is making that classic JRPG grindfest feel unique and purposeful. Rather than crawling through bleak, procedurally generated dungeons to level up between key objectives, you’ll be claiming bounties on monsters, helping locals rescue loved ones or searching for mysterious relics. Add to that an engaging and surprisingly grounded storyline, vibrant characters and a fine-tuned battle system, and you have a clear winner.

The one drawback is that I wish its technical underpinnings were stronger; all the beautiful artwork and stylish menus in the world can’t hide that the game is clearly built on the same engine as Persona 5, stretched to its absolute limits. Coming from the slick Persona 3 remake, which utilized Unreal Engine to good effect, it’s a little jarring to see low-res textures, fizzling lines and weird loads between areas. None of this is enough to stop Metaphor from being a game I recommend to anyone who will listen, though.

Here’s hoping that the next Persona game — which has to be around the corner, right? — takes the gamepla