This volume presents a close reading of instances of Shakespearean quotations, allusions, imagery and rhetoric found in Karl Marxâs collected works and letters, which provides evidence that Shakespeareâs writings exerted a formative influence on Marx and the development of his work. Through a methodology of intertextual and interlingual close-reading, this study provides evidence of the extent to which Shakespeare influenced Marx and to which Marxism has Shakespearean roots. As a child, Marx was home-schooled in Ludwig von Westphalenâs little academy, as it were, which was Shakespeare- and literary-focused. The group included von Westphalenâs daughter, who later became Marxâs wife, Jenny. The influence of Shakespeare in Marxâs writings shows up as early as his school essays and love letters. He modelled his early journalism partly on ideas and rhetoric found in Shakespeareâs plays. Each turn in the development of Marxâs thoughtâfrom Romantic to Left Hegelian and then to Communistâis achieved in part through his use of literature, especially Shakespeare. Marxâs mature texts on history, politics and economicsâincluding the famous first volume of Das Kapitalâare laden with Shakespearean allusions and quotations. Marx's engagement with Shakespeare resulted in the development of a framework of characters and imagery he used to stand for and anchor the different concepts in his political critique. Marxâs prose style uses a conceit in which politics are depicted as performative. Later, the Marx familyâMarx, Jenny and their childrenâwas central in the late-19th-century revival of Shakespeare on the London stage, and in the growth of academic Shakespeare scholarship. Through providing evidence for a formative role of Shakespeare in the development of Marxism, the present study suggests a formative role for literature in the history of ideas.
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