The legendary critic and author of Mystery Train âingeniously retells the tale of rock and rollâ (Publishers Weekly, starred review). Unlike previous versions of rock ânâ roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock ânâ roll as a thing in itself, in the story it tells, inhabits, and acts outâa new language, something new under the sun. âTransmissionâ by Joy Division. âAll I Could Do Was Cryâ by Etta James and then Beyoncé. âTo Know Him Is to Love Him,â first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcusâs hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticismâand its most gifted and incisive practitionerâis destined to become an enduring classic. âOne of the epic figures in rock writing.ââThe New York Times Book Review âMarcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.ââThe Washington Post Winner of the Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers
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